Food Allergy Counseling

Food Allergy Counseling
Sloane Miller, MFA, MSW, LMSW, Psychotherapist; Specialist in Food Allergy Management, Speaking At Mylan Specialty / EpiPen Event (© Noel Malcolm 2013)

Saturday, July 22, 2017

Allergic Girl: Nielsen-Massey Flavors Giveaway on Instagram, #NielsenMasseyInspires, July 22, 2017

Picture courtesy of Nielsen-Massey


Ten years ago, I met Beth Nielsen of the Nielsen-Massey family, what a delight! I was then and I still am a HUGE a fan of their vanilla. It used to be only sold in high end specialty stores but now you can find it everywhere. Lucky us!

And now, Nielsen-Massey kindly offered to do a FLAVOR giveaway. YAY!

Here are the Nielsen-Massey flavors:

Pure Chocolate Extract
Pure Coffee Extract
Pure Lemon Extract
Pure Orange Extract
Orange Blossom Water
Pure Peppermint Extract
Rose Water

Here is more information about the Nielsen-Massey productsAny allergen questions, reach out to them directly


CONTEST RULES: One (1) entrant can win one (1) FLAVOR of their choosing from the above list from Nielsen-Massey.

TO ENTER: Like my post #NielsenMasseyInspires on Instagram @allergicgirlnyc or on my Allergic Girl Facebook feed AND tag a friend in the comments. The contest will be open for 48 hours from the time posted, winners are picked using and limited to residents of the continental US states. If I cannot contact you within 12 hours we will go to the next entry. Good luck! 

Wednesday, July 19, 2017

Review: Metropolitan Museum: Rei Kawakubo/Comme des Garçons: Art of the In-Between, #MetKawakubo

Walking through this exhibit, I just kept thinking: “This creation tops them all, no then this; oh, wait this!” Every piece makes you think, forces you to interact with the notion of fashion, the female form and mostly how and what artist and fashion designer Rei Kawakubo is thinking, perverting, challenging, subverting, playing and participating in art and fashion when she created these masterpieces.

It’s nothing like what I remember of the Comme des Garçons SoHo store, which opened in the early 1980s here in New York City. My mother, always on the cutting edge of…well, most everything, took me there to shop and look around, as did my stepmother, also always on the cutting edge of trends. What I remember is black clothing, unisex, in long drapey shapes, unflattering to the body and almost apocalyptic. This Met show, #MetKawakubo,
shows me, shows us, a sliver of the real Rei Kawakubo and the Comme des Garçons that she showed the world.

Here’s what the New York Times said about this exhibit and I’m quoting them because I couldn’t have said it better:

"The stripped-down presentation of some 120 often strange, extravagant (and sometimes black) garments rifles through the history of clothes and art, combines fabrics in unimagined ways and confounds expectation." 

Most pieces gave me great joy and delight to behold them.  

From the Met Museum

“…this is the great work of fashion designer Rei Kawakubo, known for her avant-garde designs and ability to challenge conventional notions of beauty, good taste, and fashionability. The thematic show features approximately 140 examples of Kawakubo's womenswear for Comme des Garçons dating from the early 1980s to her most recent collection, many with heads and wigs created and styled by Julien d'Ys. The galleries illustrate the designer's revolutionary experiments in "in-betweenness"—the space between boundaries. Objects are organized into nine aesthetic expressions of interstitiality in Kawakubo's work: Absence/Presence, Design/Not Design, Fashion/Anti-Fashion, Model/Multiple, Then/Now, High/Low, Self/Other, Object/Subject, and Clothes/Not Clothes. Kawakubo breaks down the imaginary walls between these dualisms, exposing their artificiality and arbitrariness.”

Oh go, just go. If you are a fashion maven, an artist, a lover of mastery in art, a craft person, a fabricator or just love a scene – go!

At The Met Fifth Avenue

Monday, July 17, 2017

Recipe: Easy Baked Chicken Breasts, #allergenfree

Admittedly, I’m a chicken thigh girl: dark meat and crispy skin, oh my. And here's my recipe for easy gorgeous chicken thighs that your whole family will love. 

But I wanted to try cooking some chicken breasts and my new fave Instagrammer, Terri of No Crumbs Left swears by her recipe and technique. And she is totally right!  These chicken breasts were unbelievably moist – like seriously moist breast meat. I don't know that I’ve ever accomplished that at home before. Well, I used to cook whole chickens to perfection, but parts, I haven't cooked chicken breasts at home in years.

A few recipe notes.
I use Bell & Evans air-chilled chicken breasts.
I use Lucini evoo, it’s single source. Love them. 
I use Morton’s Kosher salt, coarse grain. 
I have an oven thermometer so I know exactly what's going on in there. It's a really useful device,  cheap and saves you cooking and baking disasters becuase of incorrect oven temps.


Easy, Juicy Chicken Breasts, Allergen-Free

1 package Bell & Evans chicken breasts, skin and bone-in
Lucini Olive Oil
Morton’s Kosher salt

Preheat oven to 400. Prepare a baking sheet with foil or parchment. Rub chicken all over with evoo and sprinkle with kosher salt.  Place skin side up on the tray. Put into hot oven and bake. Baste with the juices at least once around the 30 minute mark.  At 45 minutes or until internal temperature reaches 165 degrees and the juices on clear, you're done.
You can totally let them rest whilst you prepare the rest of your meal as that will help them retain their juiciness. But basically, once cooked, slice and enjoy!


Join me on Instagram @allergicgirlnyc and on my Allergic Girl Facebook feed to see what I'm cooking right now and to cook allergen-friendly yumminess with me!

Wednesday, July 05, 2017

Review: Jewish Musuem, #FlorineStettheimer

I wandered into the Jewish Museum on their free Saturday to see the Walter Benjamin but found myself at the Florine Stettheimer instead. What a lovely exhibit and what joy it inspires!

Florine’s work is an exuberant expression of play. An untrained artist but clearly creative and firing on many cylinders, the exhibit shows off this mind at work: intimate portraits, colors that reminded me of the great Maira Kalman’s work (see her Ted talk, but read her childrens books even more); large scale murals that reminded me of Alexander Calder’s circus  brought to canvas; costumes, movies, photographs – Florine was expressing herself through art at all times.

Here’s the New York Times’s review of the Florine Stettheimer exhibit and here’s a great paragraph about it:

"Stettheimer’s mature works belong to a tradition of paintings as edge-to-edge fascinators that we almost cannot stop looking at or poring over, absorbing their colors, patterns and marvelous distortions of space, while trying to decipher their mysteries. You don’t hear history screeching to a halt, the way you do, say, with Picasso’s “Demoiselles d’Avignon,” but you know something marvelous — and radical — is going on."

It is a worth a trip to see this exhibit. It’s on at the Jewish Museum until September 24, 2017 and as I mentioned Saturdays are FREEEEEEE!


From the Jewish Museum:

"The artist Florine Stettheimer (1871–1944) is an icon of Jazz Age New York. Born to a wealthy Jewish family in Rochester, she studied at the Art Students League in New York City and then in Europe, where she encountered two profound influences: the Symbolist painters and poets and, on the eve of the Great War, the Ballets Russes. Returning to Manhattan, she hosted an elite salon together with her sisters Carrie and Ettie and their mother, Rosetta, attracting many of the leading lights of the artistic vanguard. Her circle included Alfred Stieglitz, Carl Van Vechten, Georgia O’Keeffe, Elie Nadelman, Gaston Lachaise, and many others. Among her intimate friends was Marcel Duchamp. Through over 50 paintings and drawings, a selection of costume and theater designs, photographs and ephemera, as well as critically acclaimed poems, the Jewish Museum will offer a timely reconsideration of this important American artist, revealing Stettheimer's singular and often satiric vision and significant role in American modern art. The exhibition highlights the artist's distinctly personal style of painting, Stettheimer's position amidst New York's artistic elite and avant-gardes, and her continued influence on artistic practice today."